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By today's standards (hey Nas), the album is short barely cracking 45 minutes. And the true virtuoso makes the very difficult look easy: songs are filled with nonchalant phrases that stick in your skull ("frown like the first time you taste couscous")- and just try to repeat some of those palate-mangling syllables.
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Doom finds seemingly endless ways to cover it ("MCs is crabs in a barrel pass the Old Bay," "Out of work jerks since they shut down Chippendale's"), lacing almost every line with multiple internal rhymes that place the lyrics halfway between poetry and tongue-twisters ("If I had a dime for every rhymer that bust guns / I'd have a cool mil for my sons in trust funds"). Take a look at how he treats wack rappers, a grade school-level subject worn to threadbare tatters by a generation of MCs. Indeed, in a just world, Dumile would be a poet laureate, officially recognized for his genius-level skill. Over his own Lite FM-inspired beats ("Hoe Cakes" loops Anita Baker), Doom muses over topics close to home (girls, weed, friends), always with an eye to absurd and apt detail that places him in the company of the greatest poets.
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This album is organized around the food "concept," but as always the song titles are simply jumping-off points for Doom's uninhibited imagination. He's hardly been out of sight since 1999's Operation Doomsday, but a new release under the name that seems nearest to his heart is something special. Even after all these years MM.Food remains a satisfying feast for both returning true believers, as well as herds of new fans who happily and eventually find their listening ears in the clutches of DOOM.There's a lot of hubbub in the rap cognoscenti around this new release from Daniel Dumile, man of a thousand (well, at least 5) names. Fantastik, all add to the album’s overall flavor. And, while MM.Food is mostly the work of a mad scientist in his secret lair, a sprinkling of super-villain team ups with Count Bass D, Madlib, PNS of The Molemen, Stahhr, and Mr. Production-wise, DOOM utilizes a fine blend of familiar and obscure sample sources, complimentarily working together to both satisfy and intrigue. Diligence in mind, his writing is as sharp, witty and often shocking as ever. MM.Food finds DOOM digging deep into vocal soundbytes related, as well as fitting to his namesake and artistic vision, meticulously building a cohesive album narrative. While all of those projects have been revered by fans and critics alike, MM.Food is the only album that officially exists as the proper follow-up to Operation: Doomsday. One apex point along that journey took place circa 2003/2004 with DOOM releasing Viktor Vaughn Parts 1 & 2, Madvillainy with Madlib (a legend in his own right), King Geedorah’s Take Me To Your Leader, and MM.Food all in that short and explosive timeframe. PRE-ORDER: WE EXPECT THESE TO SHIP ON OR AROUND Īfter re-launching his career in the late nineties with a string of singles on Fondle Em Records, leading up to the instant-classic Operation: Doomsday album, MF DOOM relentlessly pushed forward, always innovating along the way, building what has become one of the most storied and revered careers in the world of Hip Hop.